The Saint's Blog devoted to news and rumors about The Saint and Leslie Charteris. Simon Templar, alias The Saint, was played by Roger Moore in the 1960's TV show featuring the Volvo 1800.
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Monday, April 01, 2013
First Look at the new Saint: Promo Trailer
Deadline Hollywood has posted the exclusive first footage of Adam Rayner as Simon Templar, alias The Saint!
Adam Rayner and Eliza Dushku look absolutely fantastic in the trailer promo for the new TV series that is based on Leslie Charteris’ Saint franchise.
The backdoor pilot was directed by Simon West from a script by Jesse Alexander. Brad Krevoy’s film and TV production company MPCA is behind the project, which will be screened at MIPTV next week, with MPCA’s Francisco Gonzalez handling international sales.
Deadline reports that there is interest in the series from U.S. networks.
Now watch the trailer here, and see if you can spot all the amazing co-stars such as James Remar, Enrique Murciano, Thomas Kretschmann, Greg Grunberg, Sir Roger Moore, and Ian Ogilvy!
The news that Roger Moore is not only co-producing the new 2013 incarnation of The Saint, but that he will also be playing a role on-screen made headlines this week. Many fans are extremely pleased to hear that the most famous Simon Templar of all, Roger Moore himself, will be guiding Adam Rayner's character both on and off the show!
Roger Moore as The Saint with Volvo 1800S
The known cast and crew list is growing as details emerge from the first week of shooting. The filming went really great this week, and the show is now taking a short break for the holidays, and will resume the shoot in San Diego just after the New Year.
If you take a close look at the list, you'll notice Thomas Kretschmann is slated to play the role of Rayt Marius. This name should be quite familiar to fans of Leslie Charteris' books, as Rayt Marius appears in the 1930 novel, The Last Hero, and again in the following book, Knight Templar. He's also mentioned in 1932's, Getaway, and his final appearance in print was in The Misfortunes of Mr. Teal, in the novella, "The Simon Templar Foundation", 1934. This is really great news, as it means that the Producers are doing their homework and reading the books, something that is sure to pay off in making this new show more Saintly!
Brad Krevoy, Executive Producer, MPCA Production Company
Roman Viaris, Executive Producer
James Townsend, Executive Producer
Roger Moore, co-Producer
Geoffrey Moore, co-Producer
Lulu Moore, co-Producer
Louisa Macdonald, co-Producer
Jim Martin, co-Producer
Alexandre Coscas, co-Producer
1st Assistant Director, Nick Satriano
2nd Assistant Director, Jayson Merrill
2nd Assistant Director, Doug Plasse
Eric Jarboe, Producer
Lina Wong, Producer
Kyle Clark, Producer
Paul Sommers, Director of Photography
Kurt Jones, A Camera
Eric Leach, B Camera
Sound Mixer, Glenn Berkovitz
Uly Domaion, Focus Puller
Jason Salonen, Gaffer
Jack L. Zeman, Still Photographer
Josh Hakian, Special Effects Coordinator
Ian Dickerson, Creative Consultant
Bill MacDonald, Creative Consultant
Josh Hakian, Stunts and Special Effects
Fred Fuchs, Production
Emanuel Millar, Make-up and Hair
Mick Davis, Writer
Larry Zanoff, Armourer
Mandy Sherman, Casting Director, Sherman/Knight
Sari Knight, Casting Director, Sherman/Knight
Morgan Redfield Smith, Casting Assistant
Michael MacDermott, Product Placement
Francisco J. González, International Sales
Silverscreen Pictures
And, while Burl Barer is not part of the cast and crew, he is continuing the novelizations of The Saint under license of the Leslie Charteris estate, and it is hoped that he will be involved if any TV Tie-in editions become available.
The 2013 version of The Saint kicked off principal shooting this week, starting off in Pacific Palisades, California on Monday morning. This photo is from day one, and is the first one we have of Adam Rayner as Simon Templar, alias The Saint, standing next to Eliza Dushku, who is playing The Saint's partner-in-crime, Patricia Holm.
Eliza Dushku and Adam Rayner on the set of The Saint, day 1
Ian Ogilvy Joins Adam Rayner on The Saint
One of the really great things about this show is that the Producers are including a great deal of the history of The Saint. And to that end, on day two of the shoot, Ian Ogilvy, of 1970s TV show, The Return of The Saint, showed up on set for his role in the new show. Ian reportedly had a great time on set, and there is a possibility that his "wink cameo" (as he calls it) will turn into a semi-regular part.
Two Saints: Adam Rayner meets Ian Ogilvy on Day 2
And The Cast Grows
As filming gets underway this week, other cast members are being announced or otherwise making their connection to The Saint known! Here's is the lastest list we have so far, and more is obviously on the way!
Oliver Bell as the young Simon Templar
We'd love to know a lot more about Oliver Bell, and it appears he's only been in The Sparticle Mystery thus far. Perhaps The Saint will take him up up and away.
Oliver is represented by Caz Irwin and LSI Talent Management, who tweeted that their fab client Oliver Bell will be playing the young Simon Templar in The Saint alongside Sir Roger Moore!
Enrique Murciano as Inspector John Henry Fernack
The role of The Saint's American foil, Inspector John Henry Fernack, is an important one and well documented in the writings of Leslie Charteris. The character was based on an Italian-born detective of the New York Police Department that Charteris met in the 1930s. Enrique Murciano is reportedly brilliant in the role, and has a long career going all the way back to Speed 2, Traffic, Black Hawk Down, and a number of TV show appearances.
The photo of the left was taken on day 1 as filming of his on-going pursuit of Simon Templar continued in this 2013 version of The Saint.
Greg Grunberg as Detective Garces
Formally of the TV shows, Heroes, Felicity, and Alias, Greg will be playing Inspector Fernack's right hand man in their attempts to catch Adam Rayner and Eliza Dushku.
Most recently Grunberg has been a guest star of Hawaii Five-O, Psych, and Baby Daddy.
We are excited to see all the great talent that is being cast, and look forward to the show!
Yani Gellman as Doyle
Yani hit our radar on Day 3, when one of the co-Producers posted an Instagram of the mysterious "Doyle on The Set". It turned out to be Yani Gellman, who is reportedly playing a really great role in the pilot.
Gellman first appeared in Goosebumps back in 1998, and has since been in nine movies and 16 television shows, including 90210, The Mentalist, and Beauty and the Beast.
Follow The Saint @ #TheSaint
Tweet #TheSaint The growing use of the hashtag #TheSaint is a really great way to find out the latest news, as it happens. Many of the actors and cast are using Twitter, Tumblr, Instagram, and Facebook to post their personal updates on an hour-by-hour basis.
Keep using #TheSaint and re-tweet using that tag if you see something that you think the fans of The Saint would be interested in!
Follow @thesaintclub
And, you can also follow @TheSaintClub as we try to keep up and retweet all the news and rumors about The Saint.
Watch for the sign of #TheSaint as he will return in 2013!
Last Friday, the news broke on the latest television incarnation of Leslie Charteris' famous sleuth, Simon Templar, alias The Saint. There have been many rumors about a new show since the 1997 Val Kilmer movie, with such stars as James Purefoy and Dougray Scott attached to them. After years of perseverance, it appears that the efforts have finally paid off and a new TV show of The Saint will start filming in January 2013.
Therefore with much fanfare and trumpeting, it's time to meet the new Saint!
Adam Rayner as Simon Templar, alias The Saint
Adam is English, just as most people expect Simon Templar to be. The Saint has always been English at the heart, with a well-travelled cosmopolitan history that blends him into a true man of the world.
Adam Rayner most recently starred as the lead role in the TV series, Hunted, and is also known for his work on Doctor Who, Making Waves, and Hawthorne.
He has a wealth of TV shows and movies to watch, as Leslie Charteris first authored the Saint in 1928, and it has been in constant rotation ever since.
Eliza Dushku as Patricia Holm Playing Simon Templar's on-again-off-again love interest and partner in crime, Dushku's role of Patricia Holm will hopefully recapture some of the years of history between the two.
Eliza Patricia Dushku is probably most famous for her appearances on the TV show, Buffy the Vampire Slayer, and she did play the role of the teenage daughter in the classic spy thriller, True Lies.
Production Team:
Roger Moore, co-Producer, the original Simon Templar of the 1960s
Geoffrey Moore, co-Producer
Lulu Moore, co-Producer
Louisa Macdonald, co-Producer
Simon West, Director
Jesse Alexander, Screenwriter & Executive Producer, best known for his work on Lost
Brad Krevoy, Executive Producer, MPCA Production Company
Roman Viaris, Executive Producer
Fred Fuchs, Production
Silverscreen Pictures
Mandy Sherman, Casting, Sherman/Knight
Sari Knight, Casting, Sherman/Knight
Michael MacDermott, Product Placement
Francisco J. González, International Sales
Ian Dickerson, Creative Consultant
No network are attached to this project as of yet. The plan is to shoot the pilot and shop it around.
Production is slated to kick-off this Friday, December 14 in Los Angeles, London and Toronto. Filming to be scheduled in 2013 in Los Angeles and San Diego, with other locations to follow as the series progresses.
As first reported here in December of 2007, James Purefoy is finally at last all set to play the new Simon Templar in the forthcoming TV series of The Saint. We may have jumped the gun a bit back in 2007, but we weren't wrong -- just early!
James Purefoy has written an introduction to Ian Dickerson's The Saint on TV, in which he talks about his forthcoming role as Simon Templar. Shooting is reported to be slated to start in July 2011 in New Orleans.
The newest version of The Saint is being produced by Cajun Pictures who've acquired a pilot script written by William J. MacDonald and Burl Barer.
James Purefoy, who will play the new Saint, was screen tested for the role of James Bond in 1995 for Goldeneye, and throughout 2004 and 2005 Purefoy's name was rumoured as a possible candidate to replace Brosnan as agent 007 in future James Bond films. These rumors surfaced again before the 2006 film, Casino Royale.
In December 2007, James Purefoy was first rumored to have been cast in the role of Simon Templar alias The Saint, and that was put on-hold due to production issues and his role in The Philanthropist. In 2011, it appears that Purefoy is coming back to the role of The Saint!
It's been non-stop SAINT the past few weeks as we work on the screenplay for the new two hour TV-Movie THE SAINT IN NEW ORLEANS. We keep revising, re-writing, answering network notes, etc. It keeps getting better, and there ARE some very funny lines and some hot-hot action! I thought we had nailed it good with the most recent version, and now we only have a couple very minor notes to address, which we will do tomorrow. So, if all goes well, the world will once again experience the joy, humor, and melodrama of Leslie Charteris' famous hero, THE SAINT.
What was I working on when I paused to write THE SAINT IN NEW ORLEANS? I was working on THE RETURN OF THE SAINT -- a new full length novel set in UK, Malibu, Central America, and (briefly) Finland! Mostly it is in the UK where Inspector Teal has been dragged out of retirement, and finds himself once again dealing with our endearingly dangerous desperado, Simon Templar. Hopefully you will see the new TV show, and the new novel in 2011.
We're very excited about this forthcoming book coming from Hirst Books in October 2010 (preorder today!), as Ian has had unprecedented access to Leslie Charteris, family, and friends over his many years at the Honorable Secretary of the Saint Club. The interview gives a brief glimpse into the behind-the-scenes stories that Ian has managed to unearth during his years of in-depth research and own Saintly detective work. These stories include the Hollywood years of the 1940s and 50s when The Saint first became a topic of discussion with TV producers, the fantastic Roger Moore series of the 1960s, the Return of The Saint with Ian Ogilvy in the 1970s, the 1980s efforts, and the latest attempts to revive The Saint to television audiences around the world, The Saint on TV is coming soon, and hopefully not just in book form!
The Saint on TV by Ian Dickerson
The path to TV Heaven for the Saint and Leslie Charteris started in 1952, but the signposts to it had been planted in the 1940s: Vincent Price, during his spell as the Saint on the radio, had observed that the Saint’s creator Leslie Charteris “wanted to play it in every media” and in late 1948 Charteris had been approached by an Argentine company wishing to produce a series of Spanish-language Saint shorts—that is to say a series of films lasting twenty-five minutes, not an item of Saintly apparel. He refused them point blank. Even in the media intensive 21st Century Argentinean film and television productions are not know for the international sales and recognition that Charteris felt his creation deserved.
It wasn’t until 1952, with the American TV industry still very much wearing its nappies, that Charteris began to seriously study ways to put the Saint on television; the blossoming small screen industry seemed the perfect next step for the adventures of Leslie Charteris, as creator of the Robin Hood of Modern Crime.
Earlier that year he’d renegotiated the contract for the Saint radio shows retrieving control of the TV rights, which had previously been bundled alongside the radio rights as TV hadn’t really kicked into gear. He was now determined to develop a TV show for the Saint and penned a number of scripts, designed to show how a half-hour Saint TV show would run.
He set to work with an LA based producer packaging the scripts and offering them as “a series or program of motion pictures for use exclusively on television and radio” targeting David Niven for the lead. It never made it in to production and with the benefit of hindsight it can be suggested that no one was willing to risk engaging Charteris, who had absolutely no experience in producing or directing a TV show.
Some verification of this theory was offered over a year later when Ted Ashley, of the Ashley-Famous Agency had tried to sell the Saint on TV. He summarized the problems they were encountering;
I regret having to advise you that the general opinion has been that the scripts are not sufficiently interesting and particularly, not of the proper type, in terms of general content for a motion picture television film.
...we have indicated that you would write scripts or have them written under your supervision...
...there are many indications that a pilot film and possibly a commitment assuring the production of a minimum of 13 pictures can be obtained, if you would be willing to limit your relationship to that of general advisor on scripts, casting, direction and production...
By 1960 the Saint was still to conquer television.
In the hopes that no news is good news, there has not been anything new to report on the forthcoming television revival of The Saint. It's still in the works, and there have been a few changes in the plans, but we're still hopeful that some official news will be on the horizon shortly!
A defining moment in the career of the film producer Robert S Baker, who has died aged 93, was the day he met Leslie Charteris, the author of a series of novels featuring the gentleman thief Simon Templar, alias the Saint. It was 1961 and Baker, in conjuction with the producer Monty Berman, had already made dozens of British B-movies of varying quality, including several films in the Hammer horror tradition, the most commercially successful being Jack the Ripper (1959), which the pair also directed.
Charteris had been seeking a tele-vision deal for the Saint for some time, but nobody had managed to persuade him that they would do the stories justice. As Baker acknowledged: "He protected the Saint like a bulldog – and many offers had fallen flat on their face." But thanks to a recommendation from John Paddy Carstairs, who had struck up a friendship with Charteris when he directed The Saint in London (1939) for RKO Pictures, the writer agreed in principle to give Baker and Berman the rights for a series.
The deal was clinched after Lew Grade of Associated Television agreed to allow a healthy budget of £30,000 an episode and to shoot the series on film rather than the cheaper teleciné, which would make it easier to sell to the US. In fact the series was eventually sold to 63 countries and reaped a profit in excess of £350m.
For the lead role, Grade suggested Patrick McGoohan, who had been a great success as the secret agent John Drake in Danger Man (1960-61). But Baker and Berman felt McGoohan lacked the lightness of touch that the character of Templar needed, and opted for 34-year-old Roger Moore, who had taken the title roles in the TV series Ivanhoe (1958-59) and Maverick (1959-61).
Moore starred in 118 episodes of The Saint (1962-69). Return of the Saint (1978-79) revived the suave and witty character, this time embodied by Ian Ogilvy, and was reprised in a few different guises over the years, with Baker profiting from holding the rights.
Baker was born in London and became interested in photography from an early age, winning several competitions. When the second world war broke out, he joined the Royal Artillery in north Africa during the El Alamein campaign. He then got himself transferred to the Army Film and Photographic Unit, becoming a combat cameraman in Italy, Belgium and Germany. During that time he met Berman, who was also filming battles.
After the war, the pair set up Tempean Films, their first production being A Date with a Dream (1948), a modest comedy about a wartime concert party's reunion. It starred Terry-Thomas and Jeannie Carson, with Norman Wisdom making his screen debut in a small role.
The company was soon turning out second features at a rate of about four a year to fill up programmes during the 1950s, most of them directed briskly by John Gilling or Henry Cass, and starring what seemed like a Who's Who of washed-up American actors, including Forrest Tucker, Mark Stevens, Alex Nicol, Scott Brady, Arthur Kennedy, Rory Calhoun, Rod Cameron, Dale Robertson and Larry Parks.
Then, from 1958, the duo moved into slightly more mainstream territory with Sea of Sand, a familiar north African war adventure, directed by Guy Green and starring Richard Attenborough; The Siege of Sidney Street (1960), which vividly recreated the London of 1911; and The Treasure of Monte Cristo (1961). The latter two were directed by Baker and Berman, along with the period swashbuckling adventure The Hellfire Club (1961), which was written by Jimmy Sangster and featured Peter Cushing, both regular Hammer habitués.
In fact, Baker and Berman, inspired by the success of Hammer, made their own gothic horror movies. However, these were released in two versions, one for the UK and US markets with their strict censorship and ratings systems, and another for the more liberal, continental European and Japanese markets, where audiences enjoyed extra blood and sex.
They had that aplenty in Blood of the Vampire (1958), with Donald Wolfit hamming it up as Dr Callistratus, who has returned to life to run a lunatic asylum after being executed, and Jack the Ripper, both films written by Sangster. The poverty and filth of 19th-century Edinburgh is well evoked in the atmospheric The Flesh and The Fiends (1960), with Cushing as Doctor Knox, and Donald Pleasence and George Rose as the grave-robbers Burke and Hare. After Gideon's Way (1964-66), a workmanlike police drama series based on the John Creasy books, with John Gregson as the Scotland Yard detective, Berman branched off to produce and write several of his own television series.
Baker and Moore then formed Bamore, a company that produced The Persuaders (1971-72), starring Moore and Tony Curtis as wealthy playboy adventurers, and the film Crossplot (1969), a swingin' London thriller with Moore finding himself in a psychedelic disco, a vintage car race and a helicopter chase. Baker and Moore had a long association, with the actor describing his friend as "one of the kindest men I have ever had the privilege of working with".
The official website of Leslie Charteris (www.lesliecharteris.com) tells us that The Saint was represented at Cannes recently by Arsenal Pictures -- who had some rather nice teaser artwork and the following synopsis to promote the upcoming TV show starring James Purefoy:
Simon Templar is part of a secret organization known as 'Knights of the Templar'. He's responsible for enforcing the group's code of ethics against the criminal underground of the world. Those familiar with 'Knights' know Simon Templar by one name: The Saint. His current assignment has him in Montenegro, rescuing captive children from being sold on the black market. When the operation is finished, Templar discovers that one of the children is missing. An orphan once himself, he vows to rescue the lost boy, no matter what the cost. Waiting for him in Paris is Patricia Holm, an intelligence specialist and Templar's lover. She has information that a crooked businessman named Carger is responsible for the children's abductions; however, the Knights learn that Carger is now into much bigger things. The Saint is ordered to find Carger and steal a treasured relic that, if made public, could ignite a spectacular holy war. When he discovers Carger has also been keeping the missing orphan as his own son, Templar must decide between his own personal convictions and his duties as The Saint.
The response to the announcement of James Purefoy as the new Saint has been extremely positive with growing excitement -- there are many more happy Saint fans than when the Val Kilmer movie was shaping up. This choice has been really well done. Genius!
A few more details have trickled in. The Saint will be a German/Australian co-production. Exterior shots will be filmed in Berlin, Germany, with the interiors and post production will be done in Brisbane, Australia. Financing will be finalized this week, and there will certainly be even more details forthcoming in the near future.
More news about James Purefoy as The Saint can be found using Saint Search.
Breaking news on the forthcoming coming TV series of The Saint, and you heard it here first!
James Purefoy, who played Mark Antony in "Rome" is set to play the new Simon Templar in the forthcoming TV series of The Saint.
Bill Macdonald tells www.saint.org (the official website of The Saint Club) that his team is prepping a two-hour pilot for a European shoot. The reason for shooting in Europe is the current strike situation in U.S. would otherwise hold up production. Shooting in Berlin and Australia begins in April.
Bill goes on to say that the show is being produced by himself (William J. MacDonald), Geoffrey Moore (Sir Roger Moore's son), and Jorge Zamacona (most recently of "Oz").
James Purefoy, who will play the new Saint, was screen tested for the role of James Bond in 1995 for Goldeneye, and throughout 2004 and 2005 Purefoy's name was rumoured as a possible candidate to replace Brosnan as agent 007 in future James Bond films. These rumors surfaced again before the 2006 film, Casino Royale.
Members of The Saint Club recently recieved the annual Saint Club Christmas Letter from Ian Dickerson with some news about a couple forthcoming publications:
Hodder & Stoughton will be publishing two Saint anthologies in the Autumn of 2008. Unoriginally entitled The Best of the Saint (volumes 1 and 2) they'll feature a selection of stories from across the Saint's career (including one which has never appeared in an English paperback before); each volume will also have an introduction from a notable Saint (or Saint fan) plus some additional material by me. Current plans are for each book to have a yellow jacket cover, along the lines of the old H&S style.
Next year will also see the publication of the definitive history of the Saint's television adventures. Currently and unoriginally entitled The Saint on TV, it's written by me (Ian Dickerson) and if you thought the story of the Saint on TV started with Roger Moore, well this book will show you otherwise. It starts in 1940s Hollywood and this book follows the Saint on TV right up to the present day and the new show in development.
Amongst other things it provides a unique episode guide to all three Saint TV series detailing plots, cast, crew, filming locations and critical reaction. It also comprehensively details what many of the cast and crew have been up to since they met the Saint. And perhaps of more interest to you lot, tells the full story behind The Saint in Manhattan and The Saint (with Simon Dutton) using exclusive interviews with many of the cast and crew involved on the productions to analyse what went wrong.
There's loads more in it but I'm not spilling all my beans here. If you want to know more about it, or the two reprints, keep checking www.lesliecharteris.com because that's where the latest news will be.
From: Bill Krzastek Date: Wed, 13 Jun 2007 09:19:48 -0400 Subject: ST1's Trip To Canada Part 1
Hello to All,
What an amazing weekend in London, Ontario at Steve Plunkett's Country Cruize-In. Not only did we have a great time but over $150,000 was raised for charity. We are glad that "ST1" was chosen to help participate in this "Saintly" endeavor. While at the show, I had the opportunity to meet and greet many fans of "The Saint" and Sir Roger Moore. It always surprises me to hear that people come to the show to specifically see "ST1" when there are so many other attractions. One family had each of their 5 family members take turns behind the wheel for photos! It's nice to know that this car meant so much to so many people.
We were interviewed several times about the car and it's history but two interviews really stand out: the first was by Rick Walker of Old Autos Television. In the photos that follow, we decided it would be fun to try to recreate the original publicity photos of Sir Roger and "ST1". I posed for the boot shot then persuaded Rick to please take over for the others. As you can see, the photos definitely improved by my absence!
In Part 2, we have a very special interviewer so... "Watch for the car of The Saint, it will return".
Some of the Roger Moore TV series has been published on DVD in Finland as three special DVD box sets.
The Saint was known as Pyhimys in Finland, and there were comic books and paperback editions of many of The Saint books by Leslie Charteris.
Pyhimys Vol. 1 is an 8-disc Box set, Pyhimys Vol. 2 is a 4-disc Box set, and Pyhimys Vol. 3 is a 2-disc Box set of the two Roger Moore Saint movies: Vendetta for The Saint and The Fiction-Makers.
According to Roger Moore, his son Geoffrey will not be playing The Saint in the upcoming TV series on TNT. The following question came up in Roger's monthly column on his website, and as you can see by his answer the casting for Simon Templar is still wide open:
QUESTION: Hello Sir Roger, Any idea how the new Saint project is coming along? Is your son still attached to it? As the Saint?
ANSWER: My son Geoffrey co-owns the rights will Bill Macdonald. He will produce, not star. It's nudging along, but like everything else in this business, it takes an age to get things going. So time, patience and determination are the watch words...
The Saint on TV page has been updated to include a number of the original plot summaries that were supplied by ITC to publicize the Roger Moore TV series of The Saint.
Volvo Design Chief Steve Matten has not rested on his laurels after bringing the XC60 Concept into the world. Steve has been working on the next S60, and these first renderings by our neighbours Auto Motor & Sport from Sweden look very promising indeed. Perhaps even sharp enough for The Saint to drive in the new TV series on TNT? The Saint has a long tradition with Volvo, what with Roger Moore driving the Volvo P1800 and Val Kilmer's red C70 coupe!
Up for auction on eBay is Director Roy (Ward) Baker's original script for the 1964 "The Saint" episode starring Roger Moore entitled "The Good Medicine". One of the guest stars in this episode is Jean Marsh. A very interesting piece of memorabilia from the show. Mr. Baker auctioned his scripts from "The Saint" a few years ago, and the seller purchased this one from Nigel Williams Rare Books in London with the intention of using it as part of an aborted book project. The seller really doesn't want to part with it, but they could use the money. The seller had originally intended to donate the script to Boston University, which houses Saint creator Leslie Charteris archives. Perhaps the new owner would consider doing this.
This script features Mr. Baker's notes and sketches for set designs, as well as the addresses of each of the principal actors. It is kept in an original brown folder with the title of the episode.
